I am a musician, I am a guitarist, I am Chilean and therefore Latin American. My focus is on current, contemporary, new, experimental music, or whatever name you want to give it. It seems to me a responsibility, a task and a pleasure for us musicians of this century to take charge of the music that is being created now; and to incorporate into this responsibility perspectives of territory and identity.

To accept how challenging it can be, to learn new aesthetics, to receive with openness the new -which will always be a consequence of the old-. To be open to interdisciplinarity, to explore exchange and new languages, to leave the comfortable space and the niche. All this for me is part of what defines and excites me today.

This mindset also has a direction towards the artistic production I want to do. It is my objective and personal desire to generate works from current music with which the public, not necessarily specialized, can be moved and identified. To generate music programs that have a common thread, a connection with reality - why not a political statement as well -, aesthetic experiences that can be understood by the general public, while also addressing the problem of the over-specialization and academicization of today's music. The mission is to cross the border of the niche and at the same time to eliminate any limits that block the possibility of experimentation; not only for the public, but also for us as artists. Cantar el Olvido (2022), my first recording production, was a first exploration of this perspective and a foundation stone on which I want to create new musical programs, projects, and phonographic and audiovisual materials.

I understand all of this from a collaborative perspective, I cannot conceive any part of my artistic craft without collaboration and elaboration with others. We are social and communitarian beings, and from there, it seems to me, the profession must be exercised.